Invention, Obsession, and the Pursuit of the Perfect Sound
PRAISE FOR POWER SOAK
"Forget the autobiographies, forget most of the writing about this business. Power Soak is the real story." — Bob Lefsetz
"I read it in a single sitting . . . a really fascinating cultural, creative, legal, business story all wrapped up in one." — Walt Hickey
"I've always wanted to read a Boston book, and this scratches that itch!" — Matt Wardlaw
In the 1970s, Tom Scholz built Boston’s sound in his basement, fusing engineering precision with soaring melody to create the clean, explosive style that made “More Than a Feeling” a hit. His studio inventions spread to Journey, Def Leppard, and The Cars, bringing his signature guitar tone to many of the defining albums of the time.
But when Scholz refused to hand over his own record, Third Stage, until it met his exacting standards, CBS Records chief Walter Yetnikoff declared war. Royalties were cut off. Lawsuits piled up. The band splintered. And Scholz sank further into isolation. Then two rival power brokers—Irving Azoff and David Geffen—entered the fray, racing to pry loose Boston’s long-awaited album, which would become one of the last blockbusters of the classic-rock era.
Power Soak is not a conventional rock biography. Drawing on thousands of pages of court filings, internal CBS documents, and new interviews, journalist Brendan Borrell reveals how Scholz pushed back against the major-label power structure and helped arm artists with new tools in their struggle for creative control.
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Primary documents & reporting:
Power Soak on Substack
Video reporting:
YouTube channel (documentaries and interviews)
Excerpts and Essays:
How Tom Scholz Navigated Tension Recording Boston’s “Third Stage"
How an MIT-Trained Engineer and Rock Star Took on His Record Label — And Won
Don’t Let Anyone Call Boston Corporate Rock
Ten Things You Probably Didn’t Know About “More than a Feeling”